Phenomenology of the Object in the Art of the Twentieth Century
Journal title PARADIGMI
Author/s Maria Grazia Messina
Publishing Year 2010 Issue 2010/2 Language Italian
Pages 11 P. 105-115 File size 276 KB
DOI 10.3280/PARA2010-002008
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In the twentieth century, works of art and objects tend to overlap in many ways. A first path begins with the cubist collage, which no longer aims to represent reality, but to "present" itself as reality. This path goes from Duchamp’s ready-mades, through to the Nouveau Realisme, and arrives at a fusion of art and life. The second path starts from Kandinsky’s "Great Realism", De Chirico’s Metaphysical Painting, and Surrealist painters and arrives at the New Dada. Here the work of art reveals an alterity that exorcizes the anonymity of the commodity object.
Keywords: Anthropology, Collage, New Dada, Mass Culture, Object, XXth Century Art.
Maria Grazia Messina, Fenomenologia dell’oggetto nell’arte del Novecento in "PARADIGMI" 2/2010, pp 105-115, DOI: 10.3280/PARA2010-002008