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Figure della conversione. Il teatro di Paul Claudel
Journal Title: SOCIETÀ DEGLI INDIVIDUI (LA) 
Author/s: Simonetta Valenti 
Year:  2021 Issue: 70 Language: Italian 
Pages:  15 Pg. 37-51 FullText PDF:  143 KB
DOI:  10.3280/LAS2021-070004
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The characters of Rodrigue in Le Soulier de satin and of Mesa in Partage de Midi are widely representative of Claudel’s interest for the theme of conversion. They are clear examples of the dramatist’s intention to express through his theatre his own autobiographi¬cal experience. Nevertheless, we can observe in the destiny of the two heroes created by Claudel’s pen meaningful suggestions about the urgency of a ‘conversion’ in this time of pandemic crisis. It refers specifically to a deep change of perspective involving a transfor¬mation of the ethic, economic and political paradigm.
Keywords: Claudel’s Theatre, Conversion, Change of paradigm

Simonetta Valenti, in "SOCIETÀ DEGLI INDIVIDUI (LA)" 70/2021, pp. 37-51, DOI:10.3280/LAS2021-070004

   

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