The Author dwells upon the imaginal morphologies of dreams as "con-figurations" or pre-figured fields of psychic energy, archetypal matrices of the psychic constructions of the visible. In her research about Forms, she uses art and geometry: both through those artists who have dedicated their lives to seek the sense of form, and through those who have studied the geometry of fractals as a possible mathematic model of natural forms. She suggests that the collective unconscious, as a container of archetypes, could be the psychic part of a broader biological aspect of the mitochondrial genome, the latter being the heir of the memory of life and, as such, a possible "imaginal genome".
Keywords: Dream, forms, imaginal morphogenetic fields, archetypical matrix, genome, psychoid, psychic energy, fractals