TY -  JOUR
PY -  2009
SN -  2035-357X
T1 -  Il filosofo e il cineasta. Una discussione sull'immagine cinematografica
JO -  PARADIGMI
DA -  11/15/2009 12:00:00 AM
DO -  10.3280/PARA2009-003004
UR -  http://www.francoangeli.it/Riviste/Scheda_rivista.aspx?idArticolo=37610
AU -  Carbone, Mauro
SP -  45
EP -  51
IS -  3
VL -  
LA -  IT
AB -  <em>The Philosopher and the Moviemaker. A Discussion of the Cinematic</em> - Image The present article focuses on two topics underlying the lecture given by Maurice Merleau-Ponty in 1945 at the Institut des Hautes Études Cinématographiques, in Paris. One is the reflection on the peculiarities of filmic expression and cinematic image; the other, the convergence between the inspiration of cinema and that of philosophy, which Merleau-Ponty sees as a significant feature of his time: a convergence which the cinema of the nouvelle vague was also to acknowledge and which Christian Metz was to confirm retrospectively. Moreover, in developing both topics, the author finds a way to interpret Merleau-Ponty’s lecture as an undeclared polemical response to Henri Bergson’s famous negative judgement on cinema. <br/><br/>Key words: Cinematic Image, Gestalt Psychology, Melody, Montage, Perception, Rhythm.  <br/><br/>Parole chiave: Dinamica di legittimazione, Immagine, Identità, Narrazione, Soggetto, Tempo.
PB -  FrancoAngeli
ER -