The frenzied Actaeon. Hunting divine knowledge in the Eroici furori of Giordano Bruno
Journal title RIVISTA DI STORIA DELLA FILOSOFIA
Author/s Janis Vanacker, Sabine Verhulst
Publishing Year 2010 Issue 2010/4 Language Italian
Pages 23 P. 695-717 File size 720 KB
DOI 10.3280/SF2010-004003
DOI is like a bar code for intellectual property: to have more infomation
click here
Below, you can see the article first page
If you want to buy this article in PDF format, you can do it, following the instructions to buy download credits
FrancoAngeli is member of Publishers International Linking Association, Inc (PILA), a not-for-profit association which run the CrossRef service enabling links to and from online scholarly content.
The authors of this article examine how Giordano Bruno rewrites the classical myth of Diane and Actaeon in the Eroici furori . The starting point for this study is the Argomento del Nolano where the philosopher explains his ideas regarding the importance of love poetry and allegory for the illustration of philosophical concepts. In the next section the authors concentrate on the sonnet «Alle selve i mastini e i veltri slaccia» (I, d. 4). This is the first passage in the Furori where Bruno connects Actaeon’s hunt and his encounter with the goddess Diana to the philosophical hunt of knowledge. The authors explain the meaning of the mythological imagery evoked in this sonnet by relating the poem to other parts of the Furori (in particular part I, d. 2-3-4). An analysis of the notion of furor («frenzy»), which is the subject of dialogue three (part I), allows the authors to identify Actaeon as a model for the eroico furioso («the frenzied hero»). The prose comment following the sonnet «Alle selve i mastini e i veltri slaccia» offers essential information on the reinterpretation of the literary motifs which have been linked to the myth of Actaeon since Antiquity. Bruno presents these motifs (the hounds, the wood, metamorphosis etc.) as components of the philosophical hunt, which the frenzied hero needs to undertake in order to contemplate the truth (the «vera essenza de tutti»). In the last section the authors take a closer look at the second and the third allusion to the hunting myth (part I, d. 4; part II, d. 2), which illustrate the further stages of Actaeon’s epistemological journey.
Keywords: Giordano Bruno, <i>Degli Eroici furori </i>, the myth of Diana and Actaeon, the philosophical hunt, epistemology and literary imagery
Janis Vanacker, Sabine Verhulst, Atteone furioso. la caccia alla divina conoscenza negli <i> Eroici furori</i> di Giordano Bruno in "RIVISTA DI STORIA DELLA FILOSOFIA" 4/2010, pp 695-717, DOI: 10.3280/SF2010-004003