Il corpo emotivo e poetico
Journal title GROUNDING
Author/s Stefano Masotti
Publishing Year 2013 Issue 2012/2 Language Italian
Pages 21 P. 43-63 File size 352 KB
DOI 10.3280/GRO2012-002004
DOI is like a bar code for intellectual property: to have more infomation
click here
Below, you can see the article first page
If you want to buy this article in PDF format, you can do it, following the instructions to buy download credits
FrancoAngeli is member of Publishers International Linking Association, Inc (PILA), a not-for-profit association which run the CrossRef service enabling links to and from online scholarly content.
The teaching of bioenergetic at two Academies of Dramatic Arts is the occasion to think about the possible implementation of knowledges and practices of bodily psychotherapies in the contexts of actors’ training, to help to increase the credibility of contemporary theater that today is considered weakened. The theater of the representation of the other, of the character as a subject-other than himself, to obtain the approval of the public, has been suggested as a recurrence of the mechanism that produced the false Self in the people, to seek in childhood the family approval. It’s considered a form of resistance to change, because of the difficulty to meet themselves.
Keywords: Actor, actor’s training, body, false Self, bioenergetic, narcissism.
Stefano Masotti, Il corpo emotivo e poetico in "GROUNDING" 2/2012, pp 43-63, DOI: 10.3280/GRO2012-002004