Popular Culture and Moral Imaginary

Journal title SOCIOLOGIA E POLITICHE SOCIALI
Author/s Sandra Laugier
Publishing Year 2019 Issue 2019/2 Language Italian
Pages 22 P. 9-30 File size 259 KB
DOI 10.3280/SP2019-002002
DOI is like a bar code for intellectual property: to have more infomation click here

Below, you can see the article first page

If you want to buy this article in PDF format, you can do it, following the instructions to buy download credits

Article preview

FrancoAngeli is member of Publishers International Linking Association, Inc (PILA), a not-for-profit association which run the CrossRef service enabling links to and from online scholarly content.

Stanley Cavell was no doubt the first to account for the transformation of theory and criticism brought about by reflection on popular culture and its "ordinary" objects, such as so-called mainstream cinema. Cavell defined philosophy as the "education of grownups", in parallel with his goal to give popular culture the function of changing us. According to him the value of a culture lies not in "great art" but in its transformative capacity, the same capacity found in the moral perfectionism of Emerson and Thoreau. Within such a perspective, the vocation of popular culture is the philosophical education of a public rather than the institution and valorisation of a socially targeted corpus.

Keywords: Film; Television; New Media; Stanley Cavell; Film Ethics.

  1. Thiellement, P. 2010. La Main Gauche de David Lynch, Twin Peaks et la fin de la télévision. Paris: PUF.
  2. Cavell, S. 1971. The World Viewed: Reflections on the Ontology of Film. New York: Viking Press
  3. — 1972. The Senses of Walden. San Francisco: North Point Press.
  4. — 1981. The Pursuit of Happiness: the Hollywood Comedy of Remarriage, Cambridge: Harvard University Press; trad. it. La ricerca della felicità, la commedia hollywoodiana del rimatrimonio. Torino: Einaudi. 1998.
  5. — Themes out of School. San Francisco: North Point Press.
  6. Chalvon-Demersay, S. 1999. Thousand Screenplays, The French Imagination in a Time of Crisis. Chicago: Chicago University Press.
  7. Dewey, J. 1954. The Public and its Problems. Chicago: Swallow Press.
  8. Diamond, C. 1991. The Realistic Spirit: Wittgenstein, Philosophy, and the Mind. Bradford Books: MIT Press.
  9. Domenach, E. 2011. Stanley Cavell, le scepticisme et le cinéma. Paris: PUF.
  10. Emerson, R.W. 1893. The American Scholar. New York: American Book Company,; trad. it. Lo studioso americano e altri saggi. Bari: B.A. Graphis. 2006.
  11. Laugier, S. 2014. Un romantisme de la démocratie. De Thoreau à Malick. Multitudes. 1, 55, pp. 83-92.
  12. — Etica e politica dell’ordinario. Milano: LED.
  13. Ogien, A., Laugier, S. 2014. Le principe démocratie: enquête sur les nouvelles formes du politique. Paris: La Découverte.
  14. Paperman, P., Laugier, S. 2005. Le souci des autres: ethique et politique du care. Paris: L’Ecole des Hautes Etudes en Sciences Sociales.
  15. Warshow, R. 1962. The Immediate Experience: Movies, Comics, Theatre & Other Aspects of Popular Culture. New York: Doubleday.
  16. Wittgenstein, L. 1953. Philosophische Untersuchungen. Oxford: GEM Anscombe e R. Rhees; trad. it. Ricerche filosofiche. Torino. Einaudi. 1993.

Sandra Laugier, Cultura popolare e immaginario morale in "SOCIOLOGIA E POLITICHE SOCIALI" 2/2019, pp 9-30, DOI: 10.3280/SP2019-002002