Figure della conversione. Il teatro di Paul Claudel
Journal title SOCIETÀ DEGLI INDIVIDUI (LA)
Author/s Simonetta Valenti
Publishing Year 2021 Issue 2021/70 Language Italian
Pages 15 P. 37-51 File size 143 KB
DOI 10.3280/LAS2021-070004
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The characters of Rodrigue in Le Soulier de satin and of Mesa in Partage de Midi are widely representative of Claudel’s interest for the theme of conversion. They are clear examples of the dramatist’s intention to express through his theatre his own autobiographi¬cal experience. Nevertheless, we can observe in the destiny of the two heroes created by Claudel’s pen meaningful suggestions about the urgency of a ‘conversion’ in this time of pandemic crisis. It refers specifically to a deep change of perspective involving a transfor¬mation of the ethic, economic and political paradigm.
Keywords: Claudel’s Theatre, Conversion, Change of paradigm
Simonetta Valenti, Figure della conversione. Il teatro di Paul Claudel in "SOCIETÀ DEGLI INDIVIDUI (LA)" 70/2021, pp 37-51, DOI: 10.3280/LAS2021-070004