Journal title SOCIOLOGIA DEL LAVORO
Author/s Camilla Volpe
Publishing Year 2026 Issue 2026/174
Language English Pages 16 P. 91-106 File size 278 KB
DOI
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Digital platforms have reshaped the boundaries of labour, accelerating the post-Fordist expansion of value production beyond formal employment and blurring distinctions between work and non-work. Within platform economies, creative, affective, and aesthetic practices increasingly sustain commercial value while remaining weakly institutionalised as labour, raising questions of recognition, subjectivation, and rights. This article examines micro-influencers in the second-hand and vintage fashion niche as a revealing case of platform-mediated labour situated between passion and obligation, autonomy and constraint. Drawing on one year of digital ethnography on Instagram and TikTok and semi-structured interviews with Italian micro-influencers, the study identifies three intertwined dynamics: the production of primarily symbolic rather than monetary value, the ambivalent negotiation of autonomy under platform logics, and the centrality of algorithmic visibility as both opportunity and source of precarity. While participants invest sustained time, skills, and emotional labour, they often refrain from naming their activity as “work”. The article conceptualises this condition as work without workhood: a form of platform labour that functions as labour in terms of effort, discipline, and value production, yet remains weakly recognised at the social and subjective level.
Keywords: Platform labour, visibility, content creators, self-recognition
Camilla Volpe, Work without workhood and the ambiguities of self-recognition when working on platforms. The case of micro-influencers in "SOCIOLOGIA DEL LAVORO " 174/2026, pp 91-106, DOI: