Design International

The environmental emergency of the last century has led to an urgent need to reformulate the predominant role of human beings on the planet by undertaking a less anthropocentric design approach. Within this theoretical framework, the book explores the role of Design as a multifaceted discipline capable of exploring the complexity of a changing world, and reconsiders the human being’s position in a pervasive relationship with the contemporary environments through a More-than-Human approach.

What are the social facts that led to the need to activate social innovation processes? What is (and what can be) the role of design in these processes?
The challenges of modernity and post-modernity have led designers to become often protagonists and activators of sustainable and social innovation processes, possible thanks to users' and stakeholders' involvement in co-creation processes.
This book adopts a multidisciplinary approach to eviscerate social innovation as a concept with its foundation in theoretical, political, and methodological domains. The present discussion will be based on sociology and design. The first will mainly define the theoretical framework of reference; the second will mostly deal with experimental and applied research dealing with social innovation.

The Fashion System is one of the most polluting and most impactful industries on the environment. In the last decade the fashion industry has changed its approach, aware of the fact that the attention to the environment can no longer be considered a trend. This path shows the need to intervene in design terms and that the growth in responsibility and role of design, requiring reference scenarios, knowledge and new tools. The book defines the features and scenarios of sustainable development, as well as the evolution of sustainability in research and practice of fashion design, addressing the strategies for the design and development of environmentally sustainable products.

The book tries to examine, from an historical and critical point of view, how media technologies have influenced inhabited interiors during the last sixty years. Although the title Smart Home, the research is not focused on strictly functional and technical aspects of domestic interiors design (i.e. domotics), but more broadly on how human behavioral aspects have modified (and could modify in the future) living spaces in relation to technologies evolutions.

Artificial intelligence is more-or-less covertly entering our lives and houses, embedded into products and services that are acquiring novel roles and agency on users. The design discipline and the Human-Computer Interaction (HCI) field are just beginning to explore the wicked relationship between Design and AI, looking for a definition of its borders, still blurred and ever changing. The book approaches this issue from a human-centered standpoint, proposing designerly reflections on AI-infused products. It addresses one main guiding question: what are the design implications of embedding intelligence into everyday objects?