The long visual Nineteenth century

Journal title SOCIETÀ E STORIA
Author/s Ferdinando Fasce
Publishing Year 2016 Issue 2016/153 Language Italian
Pages 5 P. 533-537 File size 581 KB
DOI 10.3280/SS2016-153006
DOI is like a bar code for intellectual property: to have more infomation click here

Below, you can see the article first page

If you want to buy this article in PDF format, you can do it, following the instructions to buy download credits

Article preview

FrancoAngeli is member of Publishers International Linking Association, Inc (PILA), a not-for-profit association which run the CrossRef service enabling links to and from online scholarly content.

The article firstly points to the turn of the century as a major turning point ushering in a new visual regime. Secondly, it tackles the redefinition of the self accompanying that regime. Thirdly it explores the dialectic between private and public underlying the "long visual Nineteenth century".

Keywords: Visual regime, Belle Epoque, Self, Celebrity, Public and private

  1. Burns S. (1996), Inventing the Modern Artist. Art and Culture in Gilded Age America, Yale, Yale University Press.
  2. Cushman P. (1990), Why the Self Is Empty. Toward a Historically Situated Psychology, in «American Psychologist», 45, pp. 599-611.
  3. Fasce F. (2012), Le anime del commercio. Pubblicità e consumi nel secolo americano, Roma, Carocci.
  4. Freeberg E. (2013), The Age of Edison. Electric Light and the Invention of Modern America, New York, Penguin.
  5. Fruci G.L., Petrizzo A. (2013), Visualità e grande trasformazione mediatica nel lungo Ottocento, in Il lungo Ottocento e le sue immagini. Politica, media, spettacolo, a cura di V. Fiorino, G.L.Fruci, A. Petrizzo, Pisa, Ets, pp. 5-19.
  6. Hall J. (2014), L’autoritratto. Una storia culturale, Torino, Einaudi.
  7. Holmes R. (2008), The Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science, London, Harper Press.
  8. Inglis F. (2010), A Short History of Celebrity, Princeton, Princeton University Press.
  9. Kandell E.R. (2012), L’età dell’inconscio. Arte, mente e cervello dalla grande Vienna ai giorni nostri, Milano, Cortina.
  10. Ortoleva P. (2011), YouTube e l’iconosfera on line, in Estetica dei media e della comunicazione, a cura di R. Diodato e A. Somaini, Bologna, il Mulino, pp. 295-312.
  11. Ponce de Leon C. (2002), Self-Exposure. Human-Interest Journalism and the Emergence of Celebrity in America, 1890-1940, Chapel Hill, University of North Carolina Press.
  12. Pedullà G. (2008), In piena luce. I nuovi spettatori e il sistema delle arti, Milano, Bompiani.
  13. Susman W.I. (1984), Culture as History. The Transformation of American Society in the Twentieth Century, New York, Random House.
  14. Testa E. (2008), Eroi e figuranti. Il personaggio nel romanzo, Torino, Einaudi.

Ferdinando Fasce, Lo sguardo del lungo ottocento in "SOCIETÀ E STORIA " 153/2016, pp 533-537, DOI: 10.3280/SS2016-153006