Understanding family belonging through meanings, Differences and cultural context. The case of the stark family from "Game of Thrones"

Journal title PSICOBIETTIVO
Author/s Francesco Serri, Diego Lasio, Jessica Lampis, Alessandra Melis
Publishing Year 2018 Issue 2018/2 Language Italian
Pages 9 P. 166-174 File size 113 KB
DOI 10.3280/PSOB2018-002012
DOI is like a bar code for intellectual property: to have more infomation click here

Below, you can see the article first page

If you want to buy this article in PDF format, you can do it, following the instructions to buy download credits

Article preview

FrancoAngeli is member of Publishers International Linking Association, Inc (PILA), a not-for-profit association which run the CrossRef service enabling links to and from online scholarly content.

The authors present a study of the family dynamics of the Starks, one of the main characters from the TV series "Game of Thrones". The analysis is based on the Family Semantic Polarities Theory (Ugazio, 2012) that assigns to the systemic presup- positions, the meanings and the cultural context a supporting function. In addition, the theory suggests that some of the most relevant dimensions of the semantics of belonging, inclusion/exclusion and election/rejection, give shape to the repertoire of the narratives where family episodes are created. Within this plot, each family member builds its positioning, identity and suffering. The complexity and interdependence of the psychological and social factors that come into play in family relationships are discussed and exemplified.

Keywords: "Game of Thrones"; Family Relations; Semantic Polarities; Differences; Belonging; Positioning.

  1. Castiglioni M., Veronese G., Pepe, A., Villegas M. (2014) “The semantics of freedom in agoraphobic patients: an empirical study”, Journal of Constructivist Psychology, 27, 2: 120-136. DOI: 10.1080/10720537.2013.80687
  2. Clapton W., Shepherd L.J. (2017) “Lessons from Westeros: gender and power in ‘Game of Thrones’”, Politics, 37, 1: 5-18. DOI: 10.1177/026339571561210
  3. Cronen V.E., Johnson K.M., Lannamann J.W. (1982) “Paradoxes, double-binds and reflexive circuits: An affirmative theoretical perspective”, Family Process, 21.
  4. De Grada E., Bonaiuto M. (2002) Introduzione alla psicologia sociale discorsiva, Laterza, Roma-Bari
  5. Frankel V.E. (2014) Women in “Game of Thrones”. Power, conformity and resistance, McFarland & Company, Inc., Publischers Jefferson, North Carolina
  6. Fruggeri L. (1997) Famiglie: dinamiche interpersonali e processi psico-sociali, Carocci, Roma, 2014
  7. Fruggeri L. (1998) “Dal contesto come oggetto alla contestualizzazione come principio di metodo”, Connessioni, 3: 75-85
  8. Guidano V.F. (1988). La Complessità del sé: un approccio sistemico-processuale alla psicopatologia e alla terapia cognitiva, Bollati Boringhieri, Torino
  9. Harré R., Moghaddam F.M., Cairnie T.P., Rothbart D., Sabat S.R. (2009) “Recent advances in positioning theory”, Theory & Psychology, 19, 1: 5-31. DOI: 10.1177/095935430810141
  10. Harré R., Van Langenhove L. (1999) Positioning Theory: Moral Context of Intentional Action, Blackwell, Oxford
  11. Husa (2015) “Exploring imaginative legal history: The legalism of the House Stark in the ‘Game of Thrones’”, Media & Arts Law Review, 20: 181-197
  12. Irwin W., Jacoby E. (2012) “Game of Thrones” and Philosophy: Logic Cuts Deeper Than Swords, John Wiley & Sons, Inc., Hoboken, New Jersey
  13. Kelly G.A. (1955) The psychology of personal constructs. Volume 1: A theory of persona- lity, WW Norton and Company, New York
  14. Lampis M. (2013) Tratado de semiótica sistémica, Alfar, Sevilla
  15. Mazzara B. (2008) I discorsi dei media e la psicologia sociale – Ambiti e strumenti d’in- dagine, Carocci, Roma
  16. McCaffrey M., Doroba˘ t¸ C.E. (2015) “‘We Do Not Sow’: The Economics and Politics of A Song of Ice and Fire”, in Younkins E.W. (ed.), Capitalism and Commerce in Imaginative Literature, Lexington Books, -- https://ssrn.com/abstract=2564009
  17. Parks T. (2013) “Semantic Polarities and Psychopathologies in the Family”, The Guardian, 19 giugno 2013. -- Disponibile all’indirizzo https://www.theguar-dian.com/books/2013/jun/19/semantic-polarities-psychopathologies-family-review (scaricato il 30 marzo 2017)
  18. Reiss D. (1981) The Family’s Construction of Reality, Harvard University Press, Cambridge
  19. Sarikakis K., Krug C., Rodriguez-Amat J.R. (2015) “Defining authorship in user-enerated content: Copyright struggles in The ‘Game of Thrones’”, New Media & Society. DOI: 10.1177/146144481561244
  20. Smolovic Jones O., Grint K. (2013) “A ‘Game of Thrones’: power plays and politics in public collaborative leadership”, in 8th International Conference in Critical Management Studies: Extending the Limits of Neo-Liberal Capitalism, 10-12 July 2013, Manchester
  21. Ugazio V. (2003) La costruzione della conoscenza. L’approccio europeo alla cognizione del sociale, FrancoAngeli, Milano
  22. Ugazio V. (2010) L’appartenenza negata. Il contesto intersoggettivo delle orga- nizzazioni depressive. Terapia Familiare, 94: 41-59
  23. Ugazio V. (2012) Storie permesse, Storie proibite, Bollati Boringhieri, Torino

Francesco Serri, Diego Lasio, Jessica Lampis, Alessandra Melis, L’appartenenza familiare tra significati, differenze e contesto culturale. Il caso della famiglia Stark de "Il Trono di Spade" in "PSICOBIETTIVO" 2/2018, pp 166-174, DOI: 10.3280/PSOB2018-002012