Design International - Open Access

This book proposes an overview of the researches initiated in 2015 in the Design PhD programme of Politecnico di Milano. All of them explore the implications of the ongoing digital transformations, from the specific perspective of design research. Throughout the book, the cultural, organisational, social, and managerial issues raised by digital technology, are debated and how such issues call for a reframing of design processes, practices and models.

In Uruguay, collaboration between designers and manufacturing companies remains limited, largely due to the historical separation between the academic sphere and the productive sector. Design has often evolved within theoretical or cultural frameworks disconnected from industrial practice. This book seeks to bridge that gap, presenting a design intervention aimed at creating spaces for exchange and collaboration between those who design and those who produce.

The book explores the radical transformation of living and working spaces, in which the hybridization of interior and exterior requires a new vision able to interpreter renewed people’s behaviours and needs, a challenging issue for the design discipline that has a multidisciplinary nature as well as a multiscale approach for both research and practice. Our ambition is to re-launch an aesthetic, sustainable, design-based approach to improve dwelling conditions, trying to implement care into different well-being dimensions – mental, physical, social, and global.

Traditionally associated with craftmanship and manual work, knitwear seems a quite unusual subject of investigation for scientific research. This book places it as an integrative part of the industrial design culture where the dialogue between a productive system of excellence and the design discipline taught in universities becomes a topic of central concern. The present book reports an experimentation conducted in the unique conditions of the Italian industrial design culture, that defined tools and methods to train knit designers not as artists, but with the technical and cultural knowledge and the project-oriented mindset that is typical of industrial design disciplines.

The Fashion System is one of the most polluting and most impactful industries on the environment. In the last decade the fashion industry has changed its approach, aware of the fact that the attention to the environment can no longer be considered a trend. This path shows the need to intervene in design terms and that the growth in responsibility and role of design, requiring reference scenarios, knowledge and new tools. The book defines the features and scenarios of sustainable development, as well as the evolution of sustainability in research and practice of fashion design, addressing the strategies for the design and development of environmentally sustainable products.

The issue of empathy as an embodied, dialogic experience that potentially enhances the value of human relationships, constitutes the core of this book, which is mainly addressed to explore whether empathy is designable and how. This book traces a theoretical framework for changing perspective on empathy in design, by integrating a phenomenological account. One that focuses on empathy's specific nature of intersubjective experience that introduces the other into one’s own personal horizon.