Design International

The fashion industry is entering the dynamic global competitive market, promoting various actions prioritising design, creativity, sustainability, and technological advancement as pivotal factors. The book analyses the multifaceted nature of the fashion retail experience through the lens of the design discipline, aiming to contextualise the evolution of retail within increasingly complex processes, networks and interconnections, both theoretically and practically.

The issue of empathy as an embodied, dialogic experience that potentially enhances the value of human relationships, constitutes the core of this book, which is mainly addressed to explore whether empathy is designable and how. This book traces a theoretical framework for changing perspective on empathy in design, by integrating a phenomenological account. One that focuses on empathy's specific nature of intersubjective experience that introduces the other into one’s own personal horizon.

The volume investigates a wide sphere of issues referring to an extended concept of “matter” – the word matter intended not only as materials as such but also of content and relationships – through design actions, approaches, processes, tools and methodologies employed in different areas and with different objectives, yet united by the desire to intercept the current shift, sometimes reinventing and sometimes evolving programmatically over time to embrace the changed framework.

Interior design is less and less reduced to the mere physical component of space and is instead increasingly projected towards an ‘environmental system’ made up of space, services, communication, and technology. The book highlights the close interconnections between the design of spaces, the creation of services, the application of communication systems, and the exploitation of technologies, allowing us to reveal the tensions and interactions that are unleashed depending on the prevalence of one or another design discipline and the scale at which they take place.

In October 1993, the first Bachelor’s Degree Program in Industrial Design in Italy was inaugurated at Politecnico di Milano. This volume – Issue Zero – launches a publishing initiative that, grounded in a reflection on the historical memory and cultural roots of Politecnico di Milano’s Design System, aims to sustain the distinctive forward-looking spirit of Polytechnic design culture. Its goal is to place design at the service of today’s cultural, social, technological, and environmental challenges.