Spatiality, imagery, and the paradox of fictional emotions

Journal title PARADIGMI
Author/s Andrea Zhok
Publishing Year 2015 Issue 2014/3 Language English
Pages 16 P. 143-158 File size 66 KB
DOI 10.3280/PARA2014-003010
DOI is like a bar code for intellectual property: to have more infomation click here

Below, you can see the article first page

If you want to buy this article in PDF format, you can do it, following the instructions to buy download credits

Article preview

FrancoAngeli is member of Publishers International Linking Association, Inc (PILA), a not-for-profit association which run the CrossRef service enabling links to and from online scholarly content.

Oggetto d’analisi è il significato di "realtà" ed il contributo dell’immaginazione alla sua definizione. Nel primo paragrafo, attraverso un’analisi delle tesi di S. Kosslyn, ci si chiede in che misura i caratteri spaziali dell’immaginario possano essere interpretati come essenzialmente afferenti ai giudizi di realtà. Nel secondo paragrafo viene affrontato il tema delle relazioni tra immaginazione e realtà alla luce delle analisi di Sartre ne L’imaginaire. Quest’analisi si conclude con l’elaborazione di due definizioni complementari di realtà. Nell’ultimo paragrafo l’analisi precedente è applicata al cosiddetto "paradosso delle emozioni finzionali", come illustrazione del riassetto concettuale proposto.

Keywords: Phenomenology, imagination, reality, Sartre, spatiality, world.

  1. Davidson D. (1982). Two Paradoxes of Irrationality. In Wollheim R., Hopkins J., eds., Philosophical Essays on Freud, Cambridge: Cambridge University Press, pp. 289-305.
  2. Feagin S. (1996). Reading With Feeling: The Aesthetics of Appreciation. Ithaca: Cornell University Press.
  3. Gendler T.S., Kovakovich K. (2006). Genuine Rational Fictional Emotions. In Kieran M. (ed.), Contemporary Debates in Aesthetics and the Philosophy of Art. Oxford: Blackwell, pp. 241-53.
  4. Husserl E. (1973). Die Idee der Phänomenologie. Fünf Vorlesungen. Husserliana II, edited by W. Biemel, Den Haag: Martinus Nijhoff.
  5. Kosslyn S.M. (1983). Ghosts in the Mind’s Machine. Creating and Using Images in the Brain. London: W.W. Norton and Co.
  6. Kosslyn S.M., Thompson W.L., Ganis G. (2006). The Case for Mental Imagery. Oxford: Oxford University Press.
  7. Moran R. (1994). The Expression of Feeling in Imagination. Philosophical Review, 103(1): 75-106.
  8. Noë A. (2004). Action in Perception. Cambridge (MA): The MIT Press.
  9. Paskow A. (2004). The Paradoxes of Art: A Phenomenological Investigation. Cambridge University Press: Cambridge.
  10. Sartre J.-P. (1958). Being and Nothingness: An Essay on Phenomenological Ontology. London: Methuen.
  11. Sartre J.-P. (2004). The Imaginary. A Phenomenological Psychology of the Imagination. London: Routledge.
  12. Schaper E. (1978). Fiction and the Suspension of Disbelief. British Journal of Aesthetics, 18: 31-44.
  13. Thompson E. (2007). Mind in Life. Biology, Phenomenology, and the Sciences of Mind. Cambridge (MA): The Belknap Press of Harvard University Press.
  14. Walton K. (1990). Mimesis as Make-Believe. Cambridge (MA): Harvard University Press.8763

Andrea Zhok, Spatiality, imagery, and the paradox of fictional emotions in "PARADIGMI" 3/2014, pp 143-158, DOI: 10.3280/PARA2014-003010