Icaro, per esempio. La sofferenza e l'immagine

Author/s Claudius Messner
Publishing Year 2005 Issue 2004/3 Language Italian
Pages 19 P. File size 70 KB
DOI is like a bar code for intellectual property: to have more infomation click here

Below, you can see the article first page

If you want to buy this article in PDF format, you can do it, following the instructions to buy download credits

Article preview

FrancoAngeli is member of Publishers International Linking Association, Inc (PILA), a not-for-profit association which run the CrossRef service enabling links to and from online scholarly content.

This essay investigates the truth of human suffering in relation to the images of it acquired by the external observer. From a point of view extraneous to moral discourses, the essay suggests that observing suffering requires construction, an artful description, which in turn constitutes the responsibility of the observer. The paper begins with an analysis of narratives of trauma and victimisation as schemes of communication used by a complex society to account for a world out of control; thereafter, Wittgenstein's argument on the obsolescence of suffering in modernity is introduced to enable the question of a responsibility that does not yet follow a normative model to be specified. The subsequent sections look at Auden's poem and Brueghel's painting mentioned there as artful descriptions par excellence. This essay is plainly not modernist in inspiration, for it questions the very idea of truth, so it is not postmodernist at all.

Claudius Messner, Icaro, per esempio. La sofferenza e l'immagine in "SOCIOLOGIA DEL DIRITTO " 3/2004, pp , DOI: